— Time Heals No Wounds —
In 11th century Ireland, Étaín must hide her pagan magic from her pious Christian priest husband, Airtre. She wants to escape his physical abuse, but she must stay to protect their grandson, Maelan. Over many lifetimes, she has learned how to endure her own pain, but Maelan is young and vulnerable.
When Airtre’s paranoia and jealousy spiral out of control, Étaín has no choice but to escape in the night with little more than the clothing on her back, leaving a trusted friend to protect Maelan.
This is not the first lifetime Étaín has fled, and she knows how to survive. But when her past comes back to haunt her, she must make decisions that may result in disaster for her, her grandson, and everyone she loves.
Finalist for Best Historical Fiction in the 2019 Rone Awards at InD’Tale Magazine
Fingin had no drive in his life until he finds a half-drowned dog who becomes his best friend. That friend leads him to a cottage where a powerful woman sends him on a quest to find his grandmother. With his dog, Bran, and a donkey, Sean, they embark upon their journey. The problem is, his grandmother no longer seems to exist in this world.
Between falling in with a band of Fianna, nearly drowning in a river, and climbing to the rocky top of Skellig Michael, Fingin had just about had enough of this quest when some magical creatures sent him in the correct direction.
Once he finds his grandmother, he realizes nothing works out as it should have. She is far from what he remembers and even further from what he’d expected. And she entangled in a power struggle of her own and has little time to attend her wayward grandson.
Soon, a battle ensues, and Fingin is caught in the middle. He decisions will have long-term consequences for himself and those he loves.
Clíodhna has three children and a missing husband, and now finds herself in the middle of growing quarrels with the new church.
When she encounters a strange man in the woods near her house, she discovers a kindred soul, someone to teach her to harness her own innate talents and powers.
At the new church, she develops a friendship with one of the monks, and shares many conversations with him about life, philosophy, and theology. For once, it seems her life is becoming a thing to be savored rather than a thing to simply survive.
Her new teacher, however, clashes with the ideals of the church. Her relationship with the monk is another source of conflict when a new church leader arrives.
A few rash decisions means she must now change her own fate. That means choosing between her happiness—perhaps even her life—and her family. It might be better for all involved if she leaves her children with a trusted friend and disappears into another world.
Can she flee a bad situation, leaving her children to the mercies of fate? Or does she have the power and ability to face the danger herself?
Finalist for Best Historical Fiction in the 2021 Rone Awards at InD’Tale Magazine
After his wife dies in childbirth, Turlough decides his children will be better off with their aunt. He leaves in the middle of the night, with only his son, Ruari. Turlough and Ruari travel west to find music, the other true love in Turlough’s life. Unwittingly sleeping under an ancient Faerie stone, they wake up in Faerie. Amidst enchanting music, they almost lose their souls before they escape with their lives. When they return, Turlough finds two years have passed, though he’s only been gone two weeks. His mother is waiting for him with the gift of a magical brooch.